July 2024: ANTIQUES NEWS & FAIRS is moving to a new home at The House Directory - where antiques meet interior design! A new and exciting collaboration aligning our 2 brands for a wider reach. Stay tuned for more news!
ANF Trade Index - who what where
CATEGORY
ANTIQUE AND VINTAGE JEWELLERY
ANTIQUE BOXES & CADDIES
ANTIQUE CLOCKS
ANTIQUE DEALER RESOURCES
ANTIQUE FURNITURE
ANTIQUES AND DESIGN BLOGS
ANTIQUES ARE GREEN
ANTIQUES CENTRES
ANTIQUES FAIRS
ANTIQUES FINDERS AND COURIERS
ANTIQUES PORTAL SITES
ANTIQUES SHOPPING TOURS
DECORATIVE ANTIQUES
DECORATIVE COLLECTIVES
PUBLICATIONS
ANTIQUE AND VINTAGE JEWELLERY
ANTIQUE BOXES & CADDIES
ANTIQUE CLOCKS
ANTIQUE DEALER RESOURCES
ANTIQUE FURNITURE
ANTIQUES AND DESIGN BLOGS
ANTIQUES ARE GREEN
ANTIQUES CENTRES
ANTIQUES FAIRS
ANTIQUES FINDERS AND COURIERS
ANTIQUES PORTAL SITES
ANTIQUES SHOPPING TOURS
DECORATIVE ANTIQUES
DECORATIVE COLLECTIVES
PUBLICATIONS
CATEGORY
ANTIQUE AND VINTAGE JEWELLERY
ANTIQUE BOXES & CADDIES
ANTIQUE CLOCKS
ANTIQUE DEALER RESOURCES
ANTIQUE FURNITURE
ANTIQUES AND DESIGN BLOGS
ANTIQUES ARE GREEN
ANTIQUES CENTRES
ANTIQUES FAIRS
ANTIQUES FINDERS AND COURIERS
ANTIQUES PORTAL SITES
ANTIQUES SHOPPING TOURS
DECORATIVE ANTIQUES
DECORATIVE COLLECTIVES
PUBLICATIONS
ANTIQUE AND VINTAGE JEWELLERY
ANTIQUE BOXES & CADDIES
ANTIQUE CLOCKS
ANTIQUE DEALER RESOURCES
ANTIQUE FURNITURE
ANTIQUES AND DESIGN BLOGS
ANTIQUES ARE GREEN
ANTIQUES CENTRES
ANTIQUES FAIRS
ANTIQUES FINDERS AND COURIERS
ANTIQUES PORTAL SITES
ANTIQUES SHOPPING TOURS
DECORATIVE ANTIQUES
DECORATIVE COLLECTIVES
PUBLICATIONS
About LAPADA
The golden chandelier symbol displayed in a window or at a fair is the sign of membership of LAPADA, the Association of Art & Antiques Dealers. Since its inception in 1974, LAPADA’s membership has grown to over 550 members making it the largest association of professional art and antiques dealers in the United Kingdom. Although the majority of its membership is UK based, LAPADA also currently has 50 members in 16 other countries. Membership is only open to those who meet the Association’s requirements as to experience, quality of stock and knowledge of their subject. Between them, members cover virtually every discipline from antiquities to contemporary fine art.
For information about becoming a member, please telephone the LAPADA office on 020 7823 3511. Or email: astrid@lapada.org
LAPADA was the first antiques trade association to introduce a Code of Practice, the purpose of which is to reassure the public and give them confidence when they make a purchase from a member. All members have agreed to abide by this strict Code of Practice and in the unlikely event of a dispute, the Association’s free Conciliation Service.
In addition to the protection afforded by the Code of Practice, all art and antiques dealers (unlike auctioneers whose Conditions of Sale protect them) must comply with consumer protection laws. The LAPADA Code of Practice also ensures that all items for sale in a member’s shop or at a fair must be clearly and correctly labelled including the price: LAPADA members are not permitted to use confusing codes.
When you buy from a LAPADA member you will be given a written invoice stating their trading name, address and telephone number, date of sale, brief description of the item(s) – including the approximate date, any major restoration or alteration to the item since original manufacture – and the price paid.
By using the website, LAPADA can put you in touch with members who can help you. Additionally you can find details of LAPADA services and advice on a wide range of subjects related to art and antiques. Among its many day to day activities, LAPADA lobbies on issues affecting its members and the well-being of the British antiques trade as a whole. The Association also works closely with many of the UK’s major regional associations including:
LAPADA is also a member of:
THE BODY REPRESENTING INTERNATIONAL ANTIQUES DEALERS’ ASSOCIATIONS.
________
The LAPADA Art & Antiques Fair 2017
The 2017 edition of the LAPADA Art & Antiques Fair will take place from 15-20 September 2017 at Berkeley Square, Mayfair, London. The event, which is returning for its ninth edition, is a leading destination for international collectors and buyers looking to source unique, one-of-a-kind objects.
Read our full post about the upcoming event in our news section.
Fairhead Fine Art - Two Pembroke Studio Chairs by David Hockney, original lithograph in colour, 1985
Witney Antiques - C17th raised work embroidery, circa 1660
________
LAPADA Launches Its Partnership With Investors Killik & Co. With Special Panel Discussion on Antique Jewellery
The 2017 edition of the LAPADA Art & Antiques Fair will take place from 15-20 September 2017 at Berkeley Square, Mayfair, London. To launch its partnership with private investment house Killik & Co, the LAPADA Art & Antiques Fair hosted ‘History & Heritage: Collecting Antique Jewellery’ on Tuesday 13 June 2017 in the Music Room at Killik & Co’s Mayfair headquarters.
The event opened with an introduction to the building from Georgie Killik, head of the Silo team at Killik & Co. Originally three narrow houses, it was purchased by Sir Edgar Speyer, a financier of the London tube. Speyer transformed the houses in one large space, combining styles from across the world. The Music Room alone has played host to many performances, including such greats as Debussy and Richard Strauss.
Moderating the talk alongside Georgie was Mieka Sywak, LAPADA’s Fair Director.
As three women who run their own successful businesses, how did you originally decide to pursue a career in antique jewellery?
Mieka began by asking the evening’s expert panelists, Anthea Gesua from A.G. Antiques, Amy Burton from Hancocks London, and Aimée van Kranendonk Duffels from VKD Jewels, why they originally pursued a career in antique jewellery and what drew them to the field.
Anthea described how she had two children and was working as a teacher when her “wild” mother suggested that she go to Portobello Road, where she learned the art of jewellery dealing.
Jewellery was Amy's family business, although after graduating university, she had no plans to follow in her family's footsteps, pursuing other career paths instead. This was until she filled in at a Miami trade fair and saw it as a viable career. She did an apprenticeship in New York and gain qualifications in gemology, describing the jewellery trade as “in my blood”.
Aimée had a similar family experience - VKD Jewels was set up by her father so she “grew up around beautiful things”, often helping at her father’s Amsterdam shop. Even now Aimée says she frequently notices what jewellery someone is wearing before anything else.
When you discover a piece of jewellery, what is your criteria before you purchase it?
When asked if there is a criteria she looks for when buying antique jewellery, Aimée said that it is often a matter of taste, and that her own personal taste had widened considerably with experience over the years. She links this to “having pieces in my hand, dealing with jewellery and asking questions”. She explained that workmanship and whether it is fully intact is important, but it must be also able to “attract the eye”. She also noted that when buying for resale it can be beneficial if an item is signed.
Anthea explained that it is reassuring to buy a brand name, particularly when selling to the Chinese or Japanese market, although you are “buying into the status” and “concept of a brand”, when unsigned items are often equally beautiful and just as well made. All the panelists agreed that makers such as Cartier and Van Cleef & Arpels are often the most sought after historic jewellery houses whose antiques pieces often display a high level of craftsmanship. Anthea also suggested looking for designs made from unusual materials such as coral, lapis lazuli or turquoise, due to their durability and increasing rarity. Amy said she would “always advise that jewellery is made to be worn” and that you should “buy what makes you feel amazing”. Aimée said “if you love it, buy it” and that her biggest regrets are always “the items that I didn’t buy”.
For someone with a growing interest in antique jewellery, what kind of resources do you use when researching a piece of jewellery?
The panel suggested that buyers check the items thoroughly using a loupe to consider both the front and the reverse of a piece as often the back can tell you more than the front. Amy advised to check if the piece has been badly repaired or showed signs of damage (e.g. stones missing) and explanations why. Anthea also highlighted that it is important that any repairs are done by a reputable restorer.
The panelists were asked for their advice on the kind of resources first time collectors should be using. Aimée suggested “looking around and asking questions”, especially when looking for affordable items. She explained that some people see the high ticket items (upwards of £300,000), aimed at established collectors and hesitate to continue looking. She also suggested buyers try everything on, stating that “I always try everything on because even something I love might not sit right when worn”. Aimée also advised to visit Fairs, particularly those that follow a strict vetting criteria like LAPADA. Anthea added that “dealers love to talk and will happily teach you about various pieces as they want you to love the pieces that you are considering to purchase”.
What does it mean to buy from an accredited LAPADA member who has to adhere to a strict Code of Practice?
Asked for her tips on who to buy from, Amy stated that “reputation is paramount", and that business is done by “word of mouth”, and Aimée highlighted the importance of buying from someone that you develop a good rapport with. Anthea agreed, adding everyone knows each other and that a dealer is someone that you can trust and who you can return to time and time again.
LAPADA also maintains a Concillation Service in the unlikely event that a dispute arises between a client and a dealer. All speakers thought that this is more important than ever with the emergence of online shops and Instagram accounts where sometimes the items for sale may not be genuine or even belong to the business promoting them. Choosing a dealer that belongs to an accredited trade association is now more important than ever to assure quality and authenticity.
Where do you see emerging areas of future collecting?
Anthea noted how she is selling more to women as they begin to collect jewellery, and that tastes are moving to later periods such as the 60s and 70s, which is in turn inspiring her own eye as she is led by the interests of collectors. Aimée agreed that she has seen more women collecting jewellery than ever before, seeking out timeless pieces.
For someone starting out, what are the key pieces that you think every woman should own today?
Anthea’s advice for these women looking to start buying antique jewellery is to “choose earrings as they dress the face and can be worn every day” and also to try to buy a statement piece. Today, Anthea would choose a beautiful amd well crafted Georgian gold chain as an example of the level of craftsmanship of the period, which can be worn in so many different ways throughout your lifetime. Aimée said that “for me, you should have everything”. Amy advised that although it is “down to you”, she likes to buy rings and suggested bold cocktail rings that you “can look at and enjoy yourself”.
Mieka and Georgie closed the talk by opening up questions to the floor, with guests asking for advice on if it is acceptable to make alterations to existing jewellery and what to buy with a budget of £10,000.
The LAPADA Art & Antiques Fair, which last year attracted over 20,000 visitors from the UK and abroad and features over 110 prominent experts and dealers, will this year coincide with Killik & Co’s House of Killik, an investment pop-up on Bateman Street, London Fashion Week (15th – 19th September) and the 20/21 British Art Fair, which takes place for the first time at The Mall Galleries, St. James's, London SW1 (13th – 17th September).
The LAPADA Art & Antiques Fair 2017 will take place from 15-20 September 2017 at Berkeley Square, Mayfair, London. For more information, visit the LAPADA Art & Antiques Fair 2017.
________
LAPADA Launches Knowledge Bank
LAPADA have announced the launch of a members’ only Knowledge Bank on the LAPADA website.
An initiative motivated by feedback from our members, LAPADA hopes that it will serve as an invaluable resource.
It includes:
· Full explanations of CITES permit requirements, including step-by-step guides to filling out forms
· Easy reference to all LAPADA free helplines (legal, tax, pensions, HR)
· Access to download the LAPADA recommended Terms & Conditions for use on invoices
· Up-to-date Export Licensing information
· And much, much more!
To access the Knowledge Bank, members should log in to the Member’s Area: http://members.lapada.org - a link to the Knowledge Bank and its full menu of content is displayed at the centre of the top menu bar.
The Knowledge Bank will be continuously updated - LAPADA endeavours to add as much relevant content as needed, and ensure all legal and regulatory information is kept up to date. Members will continue to receive regular emails and communications via the monthly newsletter - these will also carry through to the Knowledge Bank.
For more information or any questions on this new resource, please contact LAPADA where they will be happy to assist.
________
From Rome to Renoir at the LAPADA Art & Antiques Fair 2017
The LAPADA Art & Antiques Fair will take place for the ninth time at Berkeley Square, London on 15-20 September 2017.
From Ancient Greek and Roman sculpture to Old Masters and Impressionist paintings and drawings, fine art will be well represented at the event. Visitors will discover exquisite fine art and culture, from specialist dealers including Walker Galleries Ltd, Sphinx Fine Art Ltd, The Parker Gallery Ltd, Trinity House Paintings Ltd and Willow Gallery.
Sponsored by Killik & Co, and welcoming visitors from all over the world, more than 100 exhibitors will be on show at the fair, presenting art, antiques, design and decorative arts in the genres of jewellery, furniture, carpets, tapestries, antiquities, clocks, ceramics, silver and fine art.
Prices will range from £500 to £500,000 and beyond, making the collection ideal for both first time buyers and established collectors. In addition, authenticity is assured thanks to a 70-member specialist committee pre-vetting everything on sale.
For more information about this event and the LAPADA organisation, visit the LAPADA Art & Antiques Fair.
________
The following content is syndicated from the LAPADA website:
'The LAPADA Guide to Buying Antiquities' by Ema Šikić of C.J. Martin (Coins) & Ancient Art Ltd
THE TERM ‘ANTIQUITIES’ REFERS TO ARTEFACTS FROM PREHISTORY TO ROUGHLY MEDIEVAL PERIOD. THE TERM IS VERY BROAD AND COVERS THE CLASSICAL ANTIQUITY OF GREECE AND ROME, ANCIENT EGYPT, ANCIENT NEAR EASTERN CULTURES AND DELVES INTO PREHISTORIC PERIODS AND ASIAN CIVILIZATIONS.
Antiquities encompass a wide range of items made of various materials. Some examples are Roman marble sculpture, medieval manuscripts, Greek pottery and Roman jewellery, to name but a few. Ancient pieces range from the ones created solely for aesthetic appreciation to others intended for everyday use in the ancient world. The timeline of ancient art covers the largest part of human history, more than any other type of art: from Palaeolithic beginnings and, in trade terms, extending even into the early Middle Ages, thousands of years of art are represented in antiquities galleries.
Ancient pieces sold in London also demonstrate an incredible geographical diversity. Hence, you might find a Celtic brooch next to a Tang Dynasty statue in the same shop. An antiquities dealer might specialize in certain areas; however most of the London-based dealers will be able to provide a great choice of antiquities and accompanying information. London has one of the oldest and well-developed antiquities trades in the world with highest levels of self-regulation, legal regulation and expertise. The trade has been forward thinking and at the forefront of the preservation of cultural heritage, constantly updating codes of practice and collaborating with museums and authorities.
To collect ancient art means that you are acquiring something that is unique evidence of a particular moment in history. It is rare, it is one of a kind, and it requires understanding and care. Upon purchasing an ancient piece make sure to follow these guidelines:
How to find a reputable dealer. There are certain requirements that dealers have to fulfill to be able to join trade associations. Belonging to a trade association means a higher level of protection for you as a customer and for the dealers as well. If anything goes wrong with your purchase and you are unable to reach a solution with a dealer, you can address these organizations to help you with resolution and mediation. For antiquities, relevant associations are: Antiquities Dealers Association (ADA), LAPADA, International Association of Dealers of Ancient Art (IADAA), Association of International Antiquities Dealers (AIAD) and Confédération Internationale des Négociants en Oeuvres d’Art (CINOA). The websites of these organizations will provide you with lists of trustworthy dealers.
Due diligence is essential. Due diligence encompasses a system of checks that trade professionals need to complete to ensure that items they sell are not faked, looted or stolen. Apart from providing their own connoisseurship this might include consulting other experts and restorers. For items of higher value, this includes checking the object against an online database of stolen items, such as the Art Loss Register or Art Recovery.
Make sure you retain any receipts or certificates provided upon purchase. These become a part of the provenance of the object. Provenance is a widely discussed issue within the antiquities trade. Noticeably, the higher the value and the significance of the item, the more details are needed. A common Roman lamp of low value will not require the same level of due diligence as an elaborate gold Persian rhyton worth millions of pounds. For the most detailed and up to date guidelines on types of provenance and national and international laws governing the antiquities trade, visit www.theada.co.uk.
Guarantee of authenticity. All reputable dealers guarantee authenticity of ancient art they sell. They will provide a certificate of authenticity for the item that should include a photo, description, and condition of the item at the time of sale to the best of their knowledge. This protects your rights as a client. Remember – you always have a choice to return your items in the period prescribed by law and the Terms and Conditions of sale of the dealer of your choice.
Be mindful of the condition of the item. You are buying an item that is hundreds, sometimes thousands of years old – it will not be perfect and it might be subject to natural change/decay over time. Make sure that you always use experts for any restoration, storing, mounting, cleaning or repairs of your ancient pieces. As with all artworks, antiquities might require some maintenance. Some items might change in appearance: bronze might develop additional patina or bronze disease, jewellery might break if not treated with care and ancient glass might change colour or flake. These are only some of the possible scenarios that could occur with your item as a result of natural processes or improper care. Avoid exposing the items to any drastic changes in temperature, humidity or brightness.
In conclusion, in buying from a reputable dealer you are assisting the preservation of cultural heritage that normally would not find a place in a museum and supporting the legal trade of ancient art. The trade, museums and academia are inextricably linked in fostering research, preservation and conservation of artefacts. Nowadays, many dealers and trade associations support preservation by fundraising for museums and by contributing to research and scholarship with grants or expertise. Many private collectors choose to publish and lend their collections to museums and institutions, exchanging ideas and expertise with academics and the public alike.
'The LAPADA Guide to Antique Clocks' by Tobias Birch of Tobias Birch Ltd
PRIZED AND VALUED TODAY AS THEY WERE WHEN FIRST COMMISSIONED AND MADE, FINE ANTIQUE CLOCKS REPRESENT A SOUND FINANCIAL INVESTMENT AND WILL BE A PLEASURE TO OWN AND INCORPORATE INTO YOUR DAILY LIFE.
In our digital age the majority of us take for granted our ability to easily and readily tell the time, surrounded as we are, by devices displaying accurate time. However, it was not until the late 19th and early 20th century that clocks and watches were commonly available. Fine antique clocks are the result of masterful collaborations between skilled clockmakers, cabinet makers and engravers to produce things of mechanical excellence and great beauty.
Most antique clocks consist of a movement; the clockwork if you like, the wheels and pinions, the escapement, moving parts powered by weights or a spring that turn the hands, a dial; usually marked out with numerals to allow one to tell the time from the position of the hands and a case which houses the movement. All three elements, movement, dial and case need to be original and in the best condition for a clock to be collectable and valuable.
With the advent of the Worshipful Company of Clockmakers in 1631 London became the centre of the clockmaking industry and generally the best quality clocks were made in the capital. London clocks dating from the late 17th century to the 19th century are often considered to be the best in the world. There are, of course, exceptional clocks that were made in Europe and interestingly highly regarded clockmakers working in London were not all English but a mixture of nationalities, from various parts of Europe, including France, Switzerland and the Netherlands.
Clocks by the best and most highly regarded makers are highly valued. There have over recent years been dramatic price increases in clocks by leading makers such as Thomas Tompion and Joseph Knibb but you do not have to spend tens or hundreds of thousands of pounds to acquire a good quality clock. There are many fine and interesting clocks by less well-known makers which provide a good entry point for new collectors and those with an interest in horology but less deep pockets. Clocks by makers like Vulliamy and Dent provide excellent value for money.
Whether you choose to focus on a particular area of horology, 17th century clocks for example, made in what is referred to as the ‘Golden Age’ or longcase clocks with their imposing appearance, or precision clocks with incredible technical features that enable a clock to keep time to within a second a week, or a particular maker or certain style, finding a good dealer should be your first step. A well-established dealer will have the knowledge, restoration expertise and contacts to help you as a collector. Take advice and buy the very best quality clocks you can afford in the most original condition.
A good dealer can tell how original a clock is, can make sure a clock is restored when necessary sensitively and appropriately. They will have built close contacts with other collectors and dealers over the course of their careers and in this way can help you find clocks not necessarily available on the open market. The relationship between a good dealer and collector is a valuable one which often last years, sometimes lifetimes. Such relationships can prevent expensive mistakes on the part of a collector, especially at the beginning of a collection. Many collectors part exchange clocks as their collections grow and change and keep doing so until they purchase their ultimate clock. Collecting clocks is a journey and, as with the best of journeys, one along which many discoveries are made.
'The LAPADA Guide to Meissen Porcelain' by Serhat Ahmet of Serhat Ahmet Ltd
LAPADA MEMBER SERHAT AHMET TALKS ABOUT COLLECTING MEISSEN PORCELAIN, KNOWN IN EUROPE IN THE 18TH AND 19TH CENTURIES AS THE MOST INNOVATIVE AND SOUGHT AFTER BY ROYAL COURTS AND THE ARISTOCRACY; IT WAS CALLED ‘WHITE GOLD’, DUE TO ITS HUGE EXPENSE TO PURCHASE.
Meissen and European Porcelain
As Europe’s first porcelain manufactory, Meissen is also often considered to be the finest and continues to be highly collectable today. Before Meissen unlocked the secret to producing porcelain in 1708, huge quantities were regularly arriving at the ports of Europe from China to satiate the fascination the nobility had with this sublime material. The formula for Meissen porcelain was closely guarded, but once it escaped, a plethora of manufactories sprung up in Germany, Austria and France during the mid-eighteenth century. Nonetheless, it was Meissen that continued to be the most innovative and sought after by royal courts and the aristocracy; it was called ‘white gold’, due to its huge expense to purchase.
Collecting Meissen
With such an extensive history, selecting the right pieces can be overwhelming. First and foremost, always go for what appeals. To help decide, visit museum collections and dealers specialising in different periods and styles of Meissen. Handle pieces as much as possible as this will really help with deciding what feels right. Choose from the many good reference books with illustrations, a history of the factory up to modern day, the key modellers, the most recognisable models and patterns, and so on.
Concentrate on a Period
Whilst at the forefront, there are certain periods where Meissen really excelled. Pieces from the first four decades of its production attract those who want to build a collection of the earliest examples or modelled by Kaendler, Eberlein and Reinicke, names which are synonymous with Meissen, and where the modelling and colouring were cruder and more honest. In the second half of the nineteenth century, under the direction of Leuteritz, models were reworked and finessed, many new ones were added to the inventory and the enamels for decorating were softened for a more subtle and brighter look; Meissen had returned to its former opulence and popularity. In the early twentieth century, Meissen pioneered the Art Nouveau look in models with strong designs and new decorating techniques, which continued into the Art Deco period. Pieces from these periods are still extremely popular today, as they work well with modern interiors.
Look for Quality
Always look for crispness in the modelling, brightness in both the enamel decoration and glaze, and the condition of the piece. Almost every piece of Meissen produced over the last 250 years will carry the famous ‘blue crossed swords’ mark of Meissen, which will also give a clue of its quality; a score through the mark denotes a piece of secondary quality and may have been decorated outside the factory.
Budget and Buying
Be realistic about what a good piece of Meissen will cost and always buy the best you can afford. Be prepared to have to pay more for rarer, more intricate and more desirable examples. Buying from a reputable, specialist dealer will go a long way in helping with this checklist. It will also help with building an informed and coherent collection that can be enjoyed by generations to come.
________
LAPADA Announces Collaboration with Killik & Co. for the LAPADA Art & Antiques Fair 2017
LAPADA the Association of Art & Antiques Dealers has announced that award-winning investment house Killik & Co will sponsor the 2017 edition of the LAPADA Art & Antiques Fair. The annual Fair will return for its ninth edition to Berkeley Square, London on 15 - 20 September 2017.
The LAPADA Fair is the flagship event of LAPADA the Association of Art & Antiques Dealers, the largest society of professional art and antiques dealers in the UK. LAPADA members exhibiting at the fair must adhere to a strict Code of Practice and an expert committee of 70 specialists pre-vet all items for authenticity, meaning visitors can browse and buy with confidence.
Founded more than 30 years ago on the belief that the benefits of investing should be accessible to all, Killik & Co, founded more than 30 years ago, is one of the few remaining independently-owned investment houses serving private clients, and prides itself on transparency, offering expert, impartial advice and personalised guidance, helping clients build their lifetime savings.
Killik & Co will host the first in an ongoing series of talks and events at its London headquarters on Grosvenor Street (13 June 2017), during which LAPADA members - Anthea Gesua of Anthea AG Antiques, Hancock London’s Amy Burton and Aimee van Kranendonk Duffels from VDK Jewels, will discuss the history of jewellery collecting in a panel titled History & Heritage: Collecting Antique Jewellery. The series aims to encourage the public to benefit from the specialist knowledge, passion and expertise of LAPADA members, and to develop a discerning eye.
Mieka Sywak, LAPADA Fair Director, commented: “We are delighted to welcome Killik & Co as the LAPADA Fair’s new Principal Sponsor. Killik & Co offers traditional, personal expertise combined with a thoroughly modern approach to long-term investment and return. Though we operate in different fields, we felt a strong synergy with the Killik & Co team from the moment we met. The LAPADA Art & Antiques Fair’s comparable aims of celebrating heritage and our exhibitors’ expertise, in combination with a contemporary understanding of their objects’ meaning and worth, is a natural fit with Killik & Co’s own values. We are very much looking forward to working with Killik & Co to make this year’s return to Berkeley Square the best yet.”
Paul Killik, Founder and Senior Executive Officer of Killik & Co, commented: “The LAPADA Fair is known for its diverse visitor base and the knowledge of the specialists who exhibit, which appealed to us greatly as an organisation founded on a dedication to expertise and empowerment. We are thrilled to be part of the Fair for the first time this year and look forward to working with the team to make it extra special.”
The LAPADA Fair, which last year attracted over 20,000 visitors from the UK and abroad, is situated in Mayfair’s elegant Berkeley Square. Over 110 renowned specialists will gather for the event, offering highly sought-after works in a variety of disciplines. This year the fair coincides with Killik & Co’s House of Killik, an investment pop-up on Bateman Street, London Fashion Week (15 – 19 September 2017) and the 20/21 British Art Fair, which takes place for the first time at The Mall Galleries, St. James's, London SW1 (13 – 17 September 2017).
The LAPADA Art & Antiques Fair 2017 launch event, in partnership with Killik & Co, entitled History & Heritage: Collecting Antique Jewellery, takes place on 13 June 2017, and the LAPADA Art & Antiques Fair 2017 takes place on Friday 15 September until Wednesday 20 September 2017. For more information, visit LAPADA and Killik & Co.
________
New Arrivals at LAPADA - The Association of Art & Antiques Dealers
Exciting and important new pieces come into the collections of LAPADA members regularly. Here are just four stunning items that have recently made it onto the inventory of popular members.
Celia Jennings - C18th Dutch delft blue and white charger, c.1760. Priced at £450.
C18th Dutch delft blue and white charger, c.1760. The centre composition, showing a crane amongst flowers and insects, is based on an earlier Chinese export kraak porcelain design of the Wanli Period (1573-1620).
The inner border is an arched rim of peacock feather and the exterior has slanting, radiating panels decorated with tall peacock feathers and flowers. The rim is shaped in an irregular scalloped pattern with a corresponding painted border just inside the white edge. The borders are inspired by similar configurations on Chinese porcelain of the Kangxi period (1662-1722).
On the back is the De Klauuw mark of a claw, with a number, and a series of four-lobed stars. Minor fritting to edges. No restoration or cracks.
Panter & Hall - A framed original watercolour by Bernard Fleetwood-Walker RA RWS PPRBSA (1893-1965), priced at £2200
Bernard Fleetwood-Walker RA was born in Birmingham in 1893. His father William Walker was the co-inventor of the Walker-Wilkins battery, and his mother Electra Amelia (née) Varley, was the granddaughter of the C19th watercolourist Cornelius Varley. A painter and draughtsman known for his figures and portraits, began his career as a silver and goldsmith, Fleetwood-Walker went on to study painting at the Birmingham School of Arts and Crafts, then in London and Paris.
During World War I, he continued to make work, despite being wounded and gassed whilst serving in France as a sniper in the Artists Rifles. After the war, he taught art in Aston and left in 1929 to teach at Birmingham School of Arts and Crafts. He exhibited regularly at the Royal Academy from 1925, had a major solo show at the Ruskin Gallery, Birmingham, and won a silver medal at the Paris Salon. During the 1950s he taught at the Royal Academy schools, becoming Assistant Keeper under Henry Rushbury and being elected both an Associate of the Royal Academy and then a full member in 1956. Fleetwood-Walker died in 1965.
The majority of Fleetwood Walker’s paintings now reside in private collections, although many portraits can be seen in public collections including, Royal Academy of Arts, London, Birmingham Museums and Art Gallery, The Walker Art Gallery, National Museums Liverpool, Leeds City Art Gallery, Museums Sheffield and The Herbert Art Gallery, Coventry.
Tim Bowen Antiques - Welsh Spoon Rack & Collection of 28 Wooden Spoons, c. 1850-1899, priced at £1280
A C19th four step Welsh spoon rack and a collection of 28 hand carved vintage wooden spoons. A Country and Oak style, from the period 1850-1899, the rack is made from pine of a nut brown colour and is well polished. The collection of spoons are made from beech and sycamore and some show signs of use and have great character.
Mayfair Gallery Ltd - Silver and Cloisonne Enamel Mounted Russian Nephrite Kovsch, priced at £12,000.
This Kovsch, of the Russian Imperial Period is of conventional form - the curved handle decorated with vari-coloured enamelled flowers, yellow beads and central oval cartouche filled with symmetrical floral pattern and with rope-twist rims, and the curved nephrite dish applied with three large red enamel beads, raised on four ball feet embellished with red and white enamel bands.
For more information about these items and the LAPADA organisation, visit LAPADA.
________
- Copyright © 2024 Antiques News & Fairs;
-
- about us
- web site by baked-design
Facebook
Twitter
Pinterest
Instagram
Contact Us